Q and A in the Hollywood Reporter. Very provocative and thoughtful. Intro:
With the death of Playboy founder Hugh Hefner on Sept. 27, cultural historian and contrarian feminist Camille Paglia spoke to The Hollywood Reporter in an exclusive interview on topics ranging from what Hef’s choice of the bunny costume revealed about him to the current “dreary” state of relationships between the sexes.
Was Hugh Hefner a misogynist?
Absolutely not! The central theme of my wing of pro-sex feminism is that all celebrations of the sexual human body are positive. Second-wave feminism went off the rails when it was totally unable to deal with erotic imagery, which has been a central feature of the entire history of Western art ever since Greek nudes.
Hefner reimagined the American male as a connoisseur in the continental manner, a man who enjoyed all the fine pleasures of life, including sex. Hefner brilliantly put sex into a continuum of appreciative response to jazz, to art, to ideas, to fine food.
Nevertheless, I have always taken the position that the men’s magazines — from the glossiest and most sophisticated to the rawest and raunchiest — represent the brute reality of sexuality. Pornography is not a distortion. It is not a sexist twisting of the facts of life but a kind of peephole into the roiling, primitive animal energies that are at the heart of sexual attraction and desire.
The connection with the 2016 election and Donald Trump:
Before the election, I kept pointing out that the mainstream media based in Manhattan, particularly The New York Times, was hopelessly off in the way it was simplistically viewing Trump as a classic troglodyte misogynist. I certainly saw in Trump the entire Playboy aesthetic, including the glitzy world of casinos and beauty pageants.
On the blending of sexes:
So we’re now in a period of sexual boredom and inertia, complaint and dissatisfaction, which is one of the main reasons young men have gone over to pornography. Porn has become a necessary escape by the sexual imagination from the banality of our everyday lives, where the sexes are now routinely mixed in the workplace.
Is there anything of lasting value in Hugh Hefner’s legacy?
We can see that what has completely vanished is what Hefner espoused and represented — the art of seduction, where a man, behaving in a courtly, polite and respectful manner, pursues a woman and gives her the time and the grace and the space to make a decision of consent or not. Hefner’s passing makes one remember an era when a man would ask a woman on a real date — inviting her to his apartment for some great music on a cutting-edge stereo system (Playboy was always talking about the best new electronics!) — and treating her to fine cocktails and a wonderful, relaxing time. Sex would emerge out of conversation and flirtation as a pleasurable mutual experience. So now when we look back at Hefner, we see a moment when there was a fleeting vision of a sophisticated sexuality that was integrated with all of our other aesthetic and sensory responses.
Do men need a kind of Hefner for today to give an example of how to interact with women in a sophisticated manner?
Yes. Women’s sexual responses are notoriously slower than men’s. Truly sophisticated seducers knew that women have to be courted and that women love an ambiance, setting a stage.
And much more! Whole thing here.